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Half a million years for you to discover

Medieval Art and Architecture

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ART AND ARCHITECTURE IN MEDIEVAL LONDON: UNKNOWN CRAFTSPEOPLE WORK FOR THE GLORY OF...

Photograph of gold pendant in the shape of a cross. Garnets are set at the end of each arm and at the bottom. There is a space at the top for a missing 4th stone. Within the stones the gold is worked into the shape of Christ with his arms outstretched and a halo around his head.

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This beautifully made gold crucifix pendant is decorated with garnets and a depiction of Christ on the cross. The owner wore it to show their faith, just as Christians still do today, but it also showed that they were wealthy enough to afford expensive jewellery.

Skilful artisans created the art and architecture of medieval London. It was made to educate people and to celebrate God. But it also demonstrated wealth and power - and kept the poor in their place.

Art and Christianity
Powerful paintings
The art of books
Amazing architecture
Architectural fashions change
Who were the artists?
Glossary
For more information...

Photograph of a badge depicting St Thomas a Beckett on horseback. The horse is shown in profile, but Beckett's head and body are turned to face the viewer.

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Pilgrim badge depicting St Thomas a Becket, 14th century. Badges like this were collected by pilgrims as souvenirs of their visit to a shrine or cathedral. St Thomas’s shrine is in Canterbury Cathedral, where he was murdered by the King’s knights.

Art and Christianity

In medieval England almost everybody was Christian, and a member of the Roman Catholic faith. There was a very small Jewish community. They were driven out of the country in 1290.

Most art and architecture was created to teach people how important religion was. Magnificent churches and cathedrals were built. Beautiful paintings, tapestries, stained glass windows and jewellery were produced.

Powerful paintings

As many people couldn't read, paintings on church walls showed stories from the Bible. Sometimes art was also made to show a rich person's authority or to tell stories of important events, like battles.

Paintings contained symbols: familiar scenes, colours, objects and people’s expressions. Uplifted hands and eyes showed a person’s goodness. The Virgin Mary wears a blue robe, and St George is shown with a dragon.

Photograph of a page from William Fitzstephen's book. The text is hand-written in two columns with a decorative border of geometric patterns and intertwined leaf designs.

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Illuminated manuscript, a 14th century copy of William Fitzstephen's description of London

The art of books

At first, most books were made by monks for church use. By the 13th century, more people learnt how to read. Demand grew for all kinds of books.

Each book had to be hand made. Skilled writers called scriveners copied each of them out. Painters added illustrations to some books. Often the first letter in a chapter was drawn very large and decorated with complex patterns and gold or silver. These were called ‘illuminations’ because they reflected the light.

The printing press was invented in about 1450 and changed everything.

Photograph of a model of the Tower of London, showing a square castle keep with a high turret on one corner and surrounded by an outer wall.

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The Tower of London was extremely important during medieval times. It served as a fortress and arsenal to protect and control the City of London, royal residence, prison and symbol of royal authority.

Amazing architecture

With their spires stretching into the sky, cathedrals and churches were designed to amaze and hearten people as symbols of Christianity.

But art and architecture represented other sorts of power as well. Castles were the strongholds of rulers, built for defence in time of war. They demonstrated the power of the King or Lord and overawed the people. Westminster Hall, the royal palace, was decorated with statues of ancient kings and has a wooden roof, carved with angels, grander than any church.

Architectural fashions change

A large building could take more than a hundred years to build! As fashions in architecture changed, a building might change in style from one end to another.

During the early medieval period, the fashionable style of architecture was known as 'Romanesque'. It copied the patterns and proportions of architecture of the Roman Empire. The chief characteristics were round arches, thick pillars and few windows.

From the 12th century, a new style emerged. The new architecture was light and spacious. It had pointed arches, slender columns and high ceilings. Large windows were often filled with stained glass. They must have seemed like jewels to the ordinary people who worshipped there. Later artists thought this style was barbaric, and as an insult they called it 'Gothic' - after a barbarian tribe called the Goths!

Photograph of a carved stone bust of a nun's head with wimple. She is smiling and has her eyes closed as if lauging.

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A carving of a medieval nun laughs at a secret joke. Other carvings in hard-to-see-places showed people pulling horrible faces

Who were the artists?

Artistic ability was seen as a gift from God, but few artworks are signed. This may be because several people produced the art together. Most artists and craftsmen ran workshops with apprentices and assistants to help.

Although they didn’t sign their works, many medieval artists added personal touches -painted in the borders of manuscripts, carved high up in the roofs of churches where they could not easily be seen, or underneath wooden choir seats.

A lot of medieval art, particularly in churches, was destroyed in the time of Henry VIII or the puritans. What survives is all the more valuable for what it tells us about the lives and ideas of medieval people.

Susie Hodge

With thanks to John Clark, Department of Archaeological Collections and Archive, Museum of London

Glossary

Reliquary - A container to hold the remains or ‘relics’ of a dead saint, often made of precious metals and decorated with jewels

Tapestry - In the medieval period tapestries were woven hangings used to line the walls of a room and keep draughts out, they were decorated with pictures of religious, historical or mythical scenes

Virgin Mary - The mother of Jesus Christ, and a very important figure for Roman Catholics

St George - George was a Tribune in the Roman army, stationed in Palestine in the 4th century AD. He complained to the Emporor about the persecution of Christians, and was imprisoned, tortured and eventually beheaded. He was made a saint because he died for his faith. A Legend later grew up that he saved a non-Christian village in Palestine from a wicked dragon. In the story the dragon symbolises the devil and the princess he saves from sacrifice stands for the Christian church. His story became popular amongst soldiers fighting in the Crusades and he became patron saint of the English army, and of England.

Monk - Man who dedicates his life to the service and praise of god. In medieval times they lived together in monasteries. Monks were more educated than most people, they could read and write, and some made books which were kept in the monastery’s libraries.

Apprentice - Boy assigned to a master craftsman by his parents. Apprentices worked 7 years to learn the craft. At the end they made their ‘masterpiece’ to show they had become skilled craftsmen, and were then allowed to join a guild and set up their own workshop.

Pilgrim - Person who travels to a sacred place, often a shrine or cathedral, as an act of devotion

Romanesque - Style of early medieval architecture, based on the Roman style, which was popular from the 10th - 12th century. It can be identified by its round arches.

Gothic - Later medieval architectural style common from the 12th - 16th century in western Europe. It can be identified by its pointed arches and rich decorative imagery.

Barbarian - Ancient term for a foreigner, used to describe non-Greek, non-Roman or non-Christian people. Possibly deriving from barbe meaning beard; ancient Greeks and Romans shaved their beards off to show how civilised they were.

Puritans - Group of strict English Protestants in the late 16th and 17th century who split from the Church of England because they thought it was not pure enough.

For more information...

In the Museum…

Visit the Medieval gallery

Find these books in your local library…

Hodge, S. Art in History : Tudor Art Heinemann, 1997)

Deary, T. Horrible Histories: The Measly Middle Ages (Scholastic, 1996)

Gaunt, W. A concise History of English Painting (Thames & Hudson, 1985)

Watkin, D. English Architecture: A concise history (Thames & Hudson, 2001)

Powell, J. A History of Britain through Art (Wayland, 1995)

On the internet…

A website on Medieval Architecture

Art history resources on the web

Architecture portal with Medieval links

Medieval collections at the British Museum, London

Tower of London website

Introduction to medieval art, Metropolitan Museum, New York

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