Respect for the spaces in between buildings as worthy of attention and design in their own right is evident throughout the Festival, whether in the development of the neighbourhood at Lansbury, the design and architecture of the South Bank Exhibition and the Festival Pleasure Gardens at Battersea or even in the designation of the interior spaces of the Royal Festival Hall. positive spacesThe landscape of the South Bank Exhibition was itself considered to be functional and design-worthy, with architects appointed to develop individual spaces. The exhibition was intended to be narrative, with much emphasis placed upon visitors following the recommended route, and the landscape played a role in directing people through the use of carefully placed features, split levels and changes in surfaces.
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('Guide to the Exhibition of
Architecture, Town-Planning and Building Research')
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Pedestrianisation was a feature of the Festival of Britain, being common to the Lansbury Estate, the South Bank Exhibition and the Festival Pleasure Gardens. People could safely wander without fear of the motor car. At the South Bank Exhibition and the Festival Pleasure Gardens in Battersea, the exclusion of traffic meant that much more extensive and creative uses could be made of the open spaces. And it was probably the first time that many visitors had experienced a pedestrianised area. While most of the South Bank Exhibition was destroyed very soon after it closed, the river side walk was one of the lasting legacies of the Festival and is still a vibrant area of London today. Meanwhile, the Lansbury Estate boasted the first pedestrianised shopping centre in London, a feature which was to become common in the post-war city, the New Towns and indeed other urban areas in Britain.
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