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The Festival of Britain opened less than six years after the end of the
Second World War and the consequences of that conflict were still influencing
daily life. At the same time, much had happened in the intervening period
and the Britain of 1951 was a very different place to that of 1945.
still feeling the effects of war...

It
was the excitement of going and getting a new dress and shoes. I
do remember it being clean and white after the drabness of London
and getting Candy Floss. 
(contributor
Kathleen Cant, aged 8 in 1951)
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While
conditions were improving, in 1951 people's daily lives were still affected
by continuing shortages and rationing arising from the war. In London,
the location for the Festival's centrepieces, an equally tangible reminder
of the recent conflict was provided by the urban landscape, with still
much to be done in terms of clearing away bomb damage, rebuilding the
city and rehousing its inhabitants.
After such a trying time, the Festival was viewed as an opportunity to
demonstrate, celebrate and promote both Britain’s resilience and its achievements.
Its organisers also wanted to offer people a much-needed good time.

I
remember that the whole experience was like being on another planet,
in a Sci-Fi way. The modernity of the Festival was a wonderland
to us all, coming as we did from a very poor background around the
bombed sites of the area around the Festival grounds. 
(contributor
David Nissen, aged 9 in 1951)
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... but beginning the post-war period
The
period between 1945 and 1951 was a difficult one. Shortages of materials
and foreign exchange currency impeded rebuilding at home while overseas
Britain lost its Empire and Imperial identity and became involved in the
Korean War.
At the same time the radicalising effects of the Second World War and
the Labour landslide election victory in 1945 enabled significant government-driven
social reform, most notably the establishment of the Welfare State. Meanwhile
government plans for the carefully and centrally orchestrated redevelopment
of Greater London and other urban areas began to be implemented. Some
Conservative MPs suspected that the Festival was in part intended to celebrate
Labour's post-war achievements. However the political, economic and social
climate had already started to change by the time that the state-funded
Festival opened its doors.

There
was of course a tremendous enthusiasm and confidence that ‘life’
could now be improved. The tasks to be done like the rebuilding
of London and City centres, New Towns, Schools programmes and Social
Housing were tremendous and much was eventually achieved. Designers
and Politicians were enthusiastic and confident - our Health Service
was to become the envy of Europe, so were our housing and school
programmes. We were all socialists then, it all seems very strange
now! Younger people may never understand. 
(contributor
Bill Fisher)
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