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Pearly Kings and Queens are an iconic image of London, easily recognised by their distinctive suits and accessories covered with patterns of mother-of-pearl buttons. They've inspired fashion designers, costume makers, and been featured in everything from films to the London Olympics opening ceremony. But do you know the meaning and surprising history behind the costume?
The very first Pearly King is accepted to have been Henry Croft, an orphan and street sweeper. In the mid- to late 1870s Croft completely covered his suit in mother-of-pearl buttons, creating the first pearly ‘smother’ suit. He did this to draw attention to himself when collecting money for orphanages and hospitals and so the pearly mission to support charitable organisations was born.
Following Henry Croft's example, pearlies sew buttons onto their own garments. Buttons are sewn into patterns, words and symbols, which often have specific meanings. A heart means charity and a wheel is the circle of life. On display in the museum is the suit of the Pearly King of Islington, Fred Bliss, which features playing cards on the jacket illustrating that life is a gamble. It also has donkeys, vital in pulling the costermonger’s cart to market.
Costermongers were market and street traders who sold fruit, vegetables, fish and other produce from a cart or stall in the street. They were said to have sewn mother-of-pearl buttons on to their clothes to distinguish themselves; a line down outside seam of their trouser legs from knee to ankle as well as on the flaps of their jacket pockets. It was a tradition for each coster community in London to elect a leader, or ‘King’ to organize them, keep the peace and stand up for their rights with authorities. Henry possibly drew on this tradition when he used the term ‘Pearly King’ .
There is some debate as to whether Henry was inspired by the dress of London’s costermongers or the costumes of music hall coster-singers. Coster-singers entertained the crowds with cockney songs in the music halls. One singer, Hyram Travers performed around this time as the ‘Pearly King’ and wore ‘the handsomest and most costly suit of clothes ever seen’ (The Era, 20 Jan 1883). Perhaps Henry’s pearly suit was influenced by both groups. It was the costers, however, who embraced the style and ideology of Pearly Kings and Queens.
Pearlies are easily recognised by their colourful and eye-catching costumes. We're displaying several extraordinary items in Pearly Treasures, including a magnificent hat decorated with ostrich feathers.
But being a pearly is not just about wearing the costume, it is about a lifelong commitment to work tirelessly to raise money for charity. These days the Pearlies have divided into several organisations, however all still have charity work at their heart.
Henry is also said to have been inspired towards charitable work by the ethos of the costermongers, known as a tight-knit group who watched out for each other.
Henry Mayhew, in his 1851 investigative work London Labour and the London Poor, states ‘I heard on all hands that the costers never steal from one another, and never wink at anyone stealing from a neighbouring stall.’ They would also support fellow costers in distress by holding raffles where the proceeds would be given to the one in need.
Just like somewhat grander royal titles, traditionally Pearly titles are passed down through families. Children would be raised in their family’s Pearly traditions and eventually be ‘crowned’ with their parents’ title. On occasion the title would pass to a cousin or other relative. Today some of the old Pearly families have moved out of London so some titles rest vacant. On certain occasions, individuals with a strong proven commitment to charity work may be invited to hold a title. In this case they seek permission to borrow a title from a family who is currently resting theirs, thereby keeping the title alive in London.
One object in the display is a wonderful physical representation of this tradition, a Pearly “princess” dress, made to be worn by a young girl who was the daughter of Pearly parents. The remains of the words “Little Queenie”, sewn in mother-of-pearl buttons, can just be seen on the skirt.
The earliest known printed reference to Croft as a Pearly King was in the Strand Magazine in 1902, and by 1911 all 28 London boroughs had a Pearly family, a total of around 300 people.
Many, but not all Pearly families were from the costermonger community. Bert Matthews, Pearly King of Hampstead, was a rat-catcher for 40 years.
Pearly titles don't die out if the "royal" family leaves London. The Pearly King and Queen of Islington was held by descendants of the Cole family. However, when they immigrated to Australia, they handed their title back to the Original Pearly Kings and Queens Association. Phyllis and Bobby Broadbent have now taken up the titles.
Traditional harvest festivals were a time to celebrate the end of the harvest season and to give thanks for the crops. They are held on the Sunday closest to the Harvest moon, which is the full moon that occurs closes to the Autumn equinox.The Pearlies still hold annual harvest festivals, this year in the Guildhall Yard. Organised by Pearly Queen Doreen Golding, their 2016 festival will take place on Sunday 25 September, at 1.00pm. The festivities involve marching bands, donkeys and carts, Morris men and women and maypole dancing, following which they march to the church of St Mary Le Bow in Cheapside. John Walters, of the London Pearly Kings and Queens Society, explained that this event is their way of saying thank you to the Londoners and tourists that support their work.
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Following the recent advice from the government and Public Health England surrounding COVID-19, the Museum of London and the Museum of London Docklands will be closed to the public as of Thursday 19 March.
The health and wellbeing of our visitors, staff and community are of utmost importance to us and this decision is in response to increasing concerns surrounding COVID-19.
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